About the Project

Caribbean folktales whisper extraordinary characters and warn us about corrupt entities hidden within our day-to-day environments. In Trinidad and Tobago, the lore details narratives that are vibrant, devastating, and alive. Just as the telling of these tales is embodied, contemporary expressions of these characters are often performed during Carnival and feature the intricate crafting of costumes, dance, and music. Caribbean folktales are living artifacts, activated through listening. If we listen, we might hear parts of ourselves and insights drawn from experiences that seem both distant and familiar.

Conversations and Constellations is a body of creative research that engages with Caribbean folktales and the histories from which they emerged to encourage the continued exchange and mutuality of oral storytelling. Folktales, like people, move across space and change over time. Caribbean folktales emerge from a range of periods and regions, detailing histories that resist systems of colonialism specific to the Caribbean and belonging to the wounds of global slavery.

This Caribbean-diasporic research is a heritage project that situates objects across generations within the context of Jumbie stories. There are as many variations of Jumbie stories as there are the lifetimes they reflect. Conversations x Constellations is a personal praxis space to embrace this lifetime of artful meaning-making and the lifetimes that have informed the present moment.



Zoe Butler is a New Media Performance Artist who uses abstraction to explore the relationship between material culture and embodiment. Butler’s recent work engages with both personal and museum archives to explore artifacts that resist histories of domination. Her work often discusses the way that power sculpts our visual and lived realities through mediums that range from computer-animated films to wearable technology-assisted performances. Her recent work takes an interest in the deterioration of objects over time; whether reflected in the decay of family VHS tapes or the erosion of slave ship wreckage. Butler’s practice responds to the materiality of artifacts to embrace the abundance of counter-histories and to encourage folks to see themselves beyond the representational.

Butler is a 2023-24 Fulbright Research Fellowship recipient, affiliated with The University of the West Indies, Saint Augustine. She is undertaking research with the Department of Creative and Festival Arts, in tandem with a film premiering in Summer 2024.